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there he was

walking by

no clue

both of us

i asked

he said okay

one take

one moment

one handshake

goodbye

and there it was:

my all time favorite

you i see

From the age of 14, Rotterdam borned Nathan Mooij, was everywhere to be found in nature or abandoned places to shoot his black an white Kodak T-max films. The other option was the darkroom (read: big closet) he build on his 15th to develop his own photowork.

His grandfather Piet, was the one giving him his first Asahi Pentax K1000, with 35mm. This is how the love for storytelling with pictures started. This lead to a degree in Professional Photography at Fotovakschool Apeldoorn. After years with Canon Eos digital, the family completed after welcoming Pentax Monstercamera, the Pentax 67. One of his old time favorites. Heavy, big, unbreakable and analog. With the unique lenses 35mm/105mm/165mm. The best of all worlds, analog 6x7 meets digital.

His work is described best as : connection with the subject / the person / the moment. He works with both eyes open to keep the connection. The physical eye-contact with the subject isn't lost while the other eye gazes through the camera. Most of the pictures are just one-takes.

One of his publications: "More than meets the eye" by Naked eye project pushes this to the next level. The raw pictures of beautiful humans with all there flaws and insecurities, are all about the eye-contact. Mostly one-takes on the right moment. The deeper level behind this photo is catching someones rational or emotional characteristics in their eyes and enhance these by cloning the portrait; one with two right and one with two left eyes in a edited picture. Read more about it on the special tab or at the website

He is able to capture the moment, the split second whether its within the light of the sun, the gravity of the water or when emotions flow at the most vulnerable moments when a life begins or ends......

 

 

Contact or book nathan: +31617900547

 
If you dont do it with passion, dont do it! Everting becomes real when you are real!
If we connect, when working together,
techniques are only the way to produce the image. You and i made it art! You and i!
— nathan mooij
by Jenine Smink

by Jenine Smink


Others about my work

Hello, Nathan,

To begin with, I found your portraits quite expressive and to some extent intuitive. Artistic expression sometimes has to be simply intuitive. At least in part. It is evident that you love Portraiture and the way you approach the subject shows off great care and passion about what you are doing. Speaking from a purely technical standpoint, the work looks very good. You have managed to capture great light in almost all your pictures. You seem to be mindful of any technical issue involved in the process, and your concentration on composition and lighting allows you to produce high-quality portrait photography. I also like the way you utilize the background. A great portrait is the one that can easily draw the viewer’s eye to the subject without distracting background elements and from what I see here, you are well-aware of that rule. Whether you work with abstract backgrounds or natural places, you know how to make it work in favor of the main subject. What makes me happier though is the fact that, besides the technical efficiency, you are showing great care about capturing the essence of the personality that stands in front of your lens. Your approach shows off your ability to impart the right message about the person you photograph.

Some portrait photographers claim that they try capturing the true self. A good portraitist knows though, that, when we talk about still images, there is no such thing as the true self. A human being is a constellation of objectivities and subjectivities and it is not that possible to capture all those elements in a two-dimensional, still image. What it’s possible though is to capture an honest aspect of the subject, one of the many that synthesize what we call Personality. I feel that you are moving in that direction. Your images do really bring something essential up to life, something that perhaps refers to the essence of the personalities you selected to photograph. Your Pictures prove my point. The way you have captured the persons feels honest and the result speaks to the heart. It is as if you have managed to illustrate an important aspect of their personality and character. That said, my answer to your main question is Yes: to some extent, your pictures are indeed about the essence of the subjects.

Nathan, I believe that the black-and-white format fits better your approach. Color contemporizes a picture. It brings it into the realm of Now. Black-and-white photography is more emotive and abler to bypass the present moment, approaching the essence of the subject. I appreciate your dedication to Portrait photography and I support your endeavor to evolve it further. Keep on the good work
— Juryrapport LENSCULTURE New York

Additional information

Besides my photography i am guest-teacher at the Dutch FOTOVAKSCHOOL and adviser and counsil at the Board of Beroepenveld Commissie Fotografie at the NEDERLANDSE ACADEMIE VOOR BEELDCREATIE.